Speaking in Tongues: Waltz Bop Shop Live @ Wavy Brain (video)

This one is from 1994 (95?). A show at the height of Waltz Bop Shop's Math-Punk Noisiness. A fun show dedicated to Marc Bolan with all the bands doing at least one cover penned by Bolan. Held in Wavy Brain Video (RIP). Features some good shots of the hardest working guitar amp in Albuquerque: Grant's Marshall. Enjoy.





And, of course - the mandatory plug for the new aboombong: asynchronic. Available (set your own price) in pretty much any digital format you could want.

Waltz Bop Shop: Live on KUNM, the quartet, Grant's Marshall

Today we have music from phases 2 and 3 of Waltz Bop Shop.

Grant's Marshall:
Throughout my musical career I have had a lot of collaborators. Interestingly, the collaborator that has been involved in the most music was not a person, but a piece of equipment: Grant Garner's 2x12 50 watt Marshall guitar amp. Our first encounter was in Las Cruces New Mexico in the hardcore band Cattle Mutilators (with Dave Lamb from AOS) back in 1984-5. Next came Seizure Disorder and a series of guerrilla punk performances by the Archbishops Talent Exposure Collective (ATEC). These ATEC performances were a series of one-off groups with the mission statement "We never rehearse, we only perform." ATEC productions included a couple of infamous feedback drenched gigs in El Paso, Texas: The Exploding Archbishops opening for Tex and The Horseheads, and Fucked Up Nancy opening for Agent Orange and Blood on the Saddle. (Quote from a Horsehead. "We just did a gig with Jesus and Mary Chain. You guys are way better, and you're not assholes." That made me laugh). ATEC also produced The Asphalt Hamsters, Wargasm, Live Rat Pasties, The Cabbage Farmers, Harriet and The Matches (recording to follow), Legends in Our Own House, and others that I am sure I am forgetting and Grant's Marshall was there for them all. When I moved back to Albuquerque and Choke formed, Grant's Marshall was there again. Choke shared a rehearsal space with The Jonny Cats, Pueblo Dogs, a couple of reggae bands, and Waltz Bop Shop (and its predecessor Scat: A Logical Dog with Jon Jarden on vocals) and Grant's Marshall became the house guitar amp and got dragged to gigs by all the bands - playing for thousands of Albuquerque music fans. The fact that a large portion of these gigs did not involve Grant in any way is a testament to his generosity. Thanks Grant.

But, now to the music.

Waltz Bop Shop Phase 2:
Phase 2 of Waltz Bop Shop begins when Grant's Marshall leaves the picture and Keif buys a Fender Super Twin Reverb from my brother. With the cleaner sound of the Fender, the jazz elements that were always present in Waltz Bop Shop's work came to the forefront. From phase 2 we have two albums of live material that were both recorded on KUNM's Ear to the Ground. The first primarily features songs from All My Idears are Flawed in Sum Way, and the second includes songs from across the Waltz Bop Shop catalog.

Get All my idears are played live today

Tracklist:
1) Dress Code at Tito's
2) Kenneth! What's the Frequency
3) Self-congratulatory Non-conformist
4) Liquid Gang
5) Evening News
6) Feeble (Live)
7) Please yourself
8) One and three quarters
9) Tell ANYONE else

Get A whisper in the airwaves

Tracklist:
1) untitled
2) Tax Shelter
3) Tapeleader
4) Samba Groovie
5) small talk
6) Tower Jazz Song
7) Vegetarianism
8) We'll be leaving soon
9) Michael Dummett
10) Forgotten title

Waltz Bop Shop Phase 3:
Phase 3 of Waltz Bop Shop starts when we talked our good friend Jenette Isaacson into joining the group as a vocalist. Jenette was and is an actress active in local theatre (you may have seen her in a couple of movies too: Suspect Zero and Made in USA), and she brought a much needed dose of flair to our live show with her commanding stage presence. We only recorded 5 songs with Jenette. Which is too bad, because by the time Waltz Bop Shop final broke up in the late 90's, the stuff we were doing with Jenette was some of the best stuff the band had ever done. The recordings below (which I like a lot) give a glimmer of that later greater work.

Waltz Bop Shop (Phase Three):
Jenette Isaacson- vocals
Keif Henley - Guitar
Rodney Cupp - Bass
me - drum kit

Get The Quartet

Tracklist:
1) Name Dropping At Angela's
2) Midnight Drive
3) Insatiable
4) Sand Walker
5) We've Got A Problem
6) 3 by 5 stutter (bonus track)

Whew...

The Jonny Cats burn rubber on a punk rock 7 inch

By request we have what will be the only vinyl posted here.

The second release by The Jonny Cats was this punk rock 7 inch. These sold out quickly, but if you are in Albuquerque, Dave over at Charley's Records & Tapes (7602 Menaul Blvd NE Albuquerque NM 87110, (505) 296-3685) tells me he has a few tucked away.

The Jonny Cats were:
Kenta Henmi - lead guitar
Dave Chavez - bass
Jonny Jarden - vocals, nudity
Jonny Reed - guitar
Johnny T- drum kit

Record: Burrrns Rubber
Style: surfbeatcowpunkmutherfucker
Released in 1994 on 7" vinyl (500 copies).
33 &1/3rd RPM
American Low Fidelity Recordings
Cover art by J.B. Jones (R.I.P.)

Download

Track list (player plays all tracks):
1) Pinky Black
2) Comfort
3) White Trash
4) Whiskey Woman

Stupid trivia...rumor has it that this poster was seen hanging on the wall at the Rock-n-Roll Hall of Fame.

Stay tuned for A.O.S., more Waltz Bop Shop, the unreleased Jonny Cats full-length, more experimental soundscapes, the genius of Joe Brown, and whatever else I can dig up.

Enjoy

Choke: eponymous e.p., gauze/total reverence, and lo-fi noise

I think I am most comfortable thinking of myself as an experimental musician. For me this means I experiment with the process by which the music is created. In this sense, Choke was the most experimental band I have been involved with. This is true despite the fact that the product of Choke's experimentation ended up being closer to pop music than anything else I have played. This experimentation in large part involved doing things to break the band's members out of comfortable roles and habits. So, for instance, 4 of 5 the songs on our eponymous e.p. were based around guitar parts and bass lines written by the drummer (me) who can't play guitar or bass. Add to that a guitarist on bass and a bassist on guitar, turn it all up past eleven even on the pretty songs, and...well, just listen.

Style: Post-punk dream pop with a quick detour into prog-noise.
The players:
David Liso- guitar, bass, vocals (check out Dynamo Stairs)
Grant Garner - bass
Matt Sneddon - guitar
me - drum kit, steel pan, hand drums, metal objects, loops, samples

Choke (eponymous e.p.) (FLAC, Ogg Vorbis,MP3)
Produced by Matt Thorne (a Skin & Barrel Production)
Track list:
1) Alexander Orchid
2) Barcelona
3) Browse
4) H20
5) Sheltering

Note: the player plays the whole e.p.

Choke released two DIY cassettes, Gauze and Total Reverence. My copies were, ironically, all but destroyed in a crushed box during one of my many moves. I was able to salvage all but three tracks off of the cassettes thanks to scotch tape & razor skills learned in my experimental music classes back in the day. The track Green Hand, in fact, was put back together from almost a dozen splices using several cassettes. The three missing tracks are a great version of Barcelona, a version of Alexander Orchid that includes a hammond organ part missing from the version above, and a slower noisier version of Browse. I will work on finding clean copies of those tracks. I'll upload them if they become available [update - Now available here].

Choke: Gauze/Total Reverence
Style: shoegazer, rave, post-punk, dream pop.
DIY cassette releases from the early 90's.
Recorded in our rehearsal studio using 4-track cassette machine

Tracklist:
1) Mortar
2) Sex Trial
3) Shine
4) Crushed box/grill
5) Bliss
6) Poundcake
7) Circles
8) Tanta Figa
9) Green Hand
10) H20 (clank mix)

Note: player plays all ten tracks

For archival purposes, I am also including two unfinished bonus tracks. These were recorded live to ghetto blaster in our rehearsal space. Both songs were eventually part of our live set list, but they were never properly recorded. There is something about these takes that I like: Lo-fi noise.

Rehearsal Tapes
1) Untitled
2 ) Sturwelpeter


Enjoy.

Waltz Bop Shop: All my idears are flawed in sum way

Album: All my idears are flawed in sum way
Style: post-punk proto-math-rock with a good dose of no-wave
Limited release cassette from 1994

Waltz Bop Shop:
Keif Henley- Guitar, rants, crying
Rodney Cupp - Bass, vocals, lyrics (aka Cranky)
Me- drum kit, samples

I am a terrible record keeper. My copy of the cassette master for this release has no cover, no information about recording date, and no song titles. I tried to remember the track names, but I know I got some of them wrong. I am guessing on the date based on the track Kenneth! What's the frequency? That cursed REM song came out a few months after we recorded Kenneth...and they couldn't even get the phrase right. Of course, Game Theory beat us to it by about 7 years anyway, so who are we to complain.

Update:
My much more together compatriot Rodney has sent me the corrected song titles (see below). I have updated the file names at the internet archive as well...looks like I only got 2 out of 8 right.

Tracklist:

1. Self-Congratulatory Non-Conformist

2. Tax Shelter
3. Kenneth! What's the Frequency
4. 8 1/2
5. Dress Code at Tito's
6. Liquid Gang
7. Evening News
8. Feeble (Kiss Me Boy! Kiss Me!)

Get it (FLAC,Ogg Vorbis,mp3) or original post.


Note: the player plays the whole album

covers: Waltz Bop Shop & Jonny Cats

Playing covers of other people's songs has never been a big part of any of the bands I have been in over the years. Today's post contains a couple of exceptions to that rule.

Up first is a cover of the T-Rex classic Liquid Gang performed by Waltz Bop Shop and recorded at KUNM. Waltz Bop Shop was a trio (and later a quartet) and was the longest lived project I have been involved in. Spanning most of the 90's Waltz Bop Shop played proto-math-rock and fractured jazz with a decidedly quirky mix of pop and experimental sensibilities.

Track: Liquid Gang
(from the cassette: All my idears are flawed in sum way)
Players:
Keif Henley - guitar
Rodney Cupp, ph.d. - bass, vocals, piano intro
me- drum kit

Get it here (@192)

Up next is a cover of Gun Club's Sex Beat by the infamous Jonny Cats. The Jonny Cats tore through the Albuquerque scene alongside bands like The Drags in the mid-90's playing surf-beat-cow-punk-mutherfucker. The Jonny Cats would have been household names if it weren't for a focused dedication to all of the most self-destructive aspects of the rock-n-roll life style. This track was recorded for a compilation cd that never happened.

Track: Sex Beat (unreleased)
The Jonny Cats were:
Kenta Henmi - lead guitar (now in The Violenta)
Dave Chavez - bass
Jonny Jarden - vocals, nudity
Jonny Reed - guitar
Johnny T- drum kit

Get it here (@ 192)

More tunes from both bands will follow.